Video Editing and Production Agency for Australian Brands
Brand films, product demos and social cutdowns, cut by one in-house team — with a review window that lands inside your afternoon, not the middle of your night.
What you actually get
A shoot day planned before the camera rolls
Shot lists, locations and talent get confirmed in advance, whether we're producing on location or cutting footage your team already captured. That planning is what keeps a scheduled half-day shoot from stretching into a full one because nobody mapped the logistics before the crew showed up, and it's what lets us capture cutdown-ready footage in the same session rather than booking a second day for it.
A review window that actually falls inside your working day
Australia runs ahead of Pune rather than behind it, which flips the usual offshore-production problem — instead of a narrow early-morning call for you, our late morning lands inside a normal Australian afternoon. See the section below for exactly how that maps to Sydney, Melbourne or Perth hours, since the direction of the gap is the whole reason this works differently from most offshore production relationships.
No separate vendor for motion graphics or grading
We run both in-house, which avoids the scenario where a freelancer with other clients becomes the bottleneck. Every additional vendor in a production chain is another point where a deadline can quietly slip, and another handoff where a cut has to travel back and forth before it's actually finished.
Edited for the rhythm of the format, not a fixed template
A short vertical cutdown moves at a different pace than a long-form brand film, so we tune the edit and the audio — original or licensed — to whichever one we're delivering rather than applying one rhythm to both. Skip that step and the content that suffers most is whatever's competing for attention in a social feed. A set number of revision rounds is written into the quote for every deliverable, so it's clear from the start how many passes are covered before an extra change becomes a separately priced request.
How this actually works
How the Pune–Australia working day actually lines up
Australia sits ahead of Pune, not behind it — Sydney and Melbourne run 4.5 to 5.5 hours ahead depending on daylight saving, and Perth is closer to 2 hours earlier than the east coast. That direction matters: our 10:00–19:00 IST studio hours mean the early part of our working day, roughly 10:00am to 12:30pm IST, lands inside your afternoon, around 2:30 to 5:00pm AEST and later still under AEDT.
In practice that window is when a live review call is realistic if one's useful — scheduled inside your afternoon rather than your evening or the middle of the night, which is the trade a lot of offshore video production forces on an Australian client. Outside that window, review still runs through a private link with timestamped comments, so a revision doesn't have to wait for the next live slot to move forward, and most of the actual editing happens through our full afternoon and evening while your day has already wound down.
We bill in AUD or USD via international transfer or card, and the price per deliverable is fixed up front, before a shoot or edit is scheduled. We're a Pune-based production team without an Australian office, and for Perth-based clients specifically the overlap window shifts earlier in our day — worth flagging during scoping if that's where your team is based, so a review call actually lands somewhere useful in your afternoon rather than your evening.
Capabilities
- 4K delivery
- Motion graphics
- Colour grading
- Afternoon review window
- AUD or USD invoicing
Guide
Australia Video Production & Editing Pricing Guide
What Video Editing and Production Cost in Australia
Australian video pricing runs higher than Southeast Asian benchmarks for the same reason website pricing does — local labour cost, not necessarily quality. Public pricing guides across the Australian market show a basic freelance edit — a social cutdown or a simple edit from footage you already have — at roughly AU$400 to AU$1,000. A small-agency package covering a short brand film with a set of social cutdowns typically runs AU$2,000 to AU$7,000. A full production — a shoot plus a multi-deliverable campaign — lands between AU$7,000 and AU$25,000 or more, depending mostly on how many locations and deliverables are involved.
That gap is why an Australian business working with an offshore team, us included, usually sees a materially different number than these local benchmarks for comparable scope — the finished quality and process can be the same, but the underlying cost base isn't. Within Australia's own market, Perth-based shoots sometimes carry a premium over Sydney or Melbourne simply from fewer local crews to draw on.
These are general Australian market figures aggregated from public pricing guides, not a Webcomp quote — every deliverable is scoped against its actual shoot and edit requirements, with a fixed cost agreed in writing before anything starts.
- Basic freelance edit: AU$400–1,000 — a single social cutdown or edit from existing footage.
- Small-agency package: AU$2,000–7,000 — a short brand film plus a set of social cutdowns.
- Full production: AU$7,000–25,000+ — a shoot plus a multi-deliverable campaign edit.
FAQ
Questions before you get started.
Our late morning, roughly 10:00am to 12:30pm IST, lands inside your afternoon — about 2:30 to 5:00pm AEST, later under AEDT. That's the window we'd schedule a live call in if one's useful for a project.
Not exactly — Perth runs about 2 hours behind the east coast, so the workable window shifts earlier in our day. Tell us during scoping if your team is on the west coast so we plan around the right hours.
We can. Our team doesn't need to have been on the shoot — send through what you've already got and we'll edit it, add motion graphics and grading, and cut it down for whatever platforms you need.
AUD or USD — you pick whichever's simpler for your books. What doesn't change is that we scope and fix the cost per deliverable before a shoot or edit is booked in.
It's written into the quote before we start, per deliverable, so you're not guessing. A short cutdown usually carries two included rounds; a longer brand film usually gets more, since there's more distance to cover on the first pass.
Ready to start?
See the fuller service breakdown on our video production page.